【摘 要】
:
半个世纪前,鲁迅先生曾在中国倡导新兴版画运动,希望“以后更有无尽的旌旗蔽空的大队”。恐怕鲁迅先生没有想到,60年后的今天,“闰土”的子孙们也会跨入这“旌旗蔽空的大队
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半个世纪前,鲁迅先生曾在中国倡导新兴版画运动,希望“以后更有无尽的旌旗蔽空的大队”。恐怕鲁迅先生没有想到,60年后的今天,“闰土”的子孙们也会跨入这“旌旗蔽空的大队”里。 1995年6月13日,浙江嘉兴郊区30位农民业余美术作者的版画作品与充满异国情趣和艺术风彩的日本冈谷市版画交相辉映,浑为一体,揭开了《中日(嘉兴、冈谷)版画交流展》的
Half a century ago, Mr. Lu Xun advocated the emerging printmaking movement in China and hoped that “there will be even more endless banners with empty flags.” I am afraid that Mr. Lu Xun did not think that 60 years later, “Run-earth” descendants will also enter this “banner”. On June 13, 1995, the printmaking works by 30 peasant amateur artists in the outskirts of Jiaxing, Zhejiang Province, matched with Japanese Okaya prints full of exoticism and artistic style, unfolded the theme of “Sino-Japanese (Jiaxing, Okaya ) Engraving exchange exhibition ”
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