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明代中后期单折戏一度繁盛,作为一种特殊的戏剧形式,单折戏的繁荣与明代家乐戏班的繁盛相互适应。单折戏的形式特点与家乐戏班的规模相适合;家乐戏班演出形式的多样化使单折戏登上了戏剧舞台;明后期的一些失意文人不仅是家乐戏班的班主,同时也是单折戏的创作者。家乐戏班与单折戏之间相互契合,促进了单折戏的发展和繁荣。
In the mid and late Ming Dynasty, the single-fold drama was once flourishing. As a special type of drama, the prosperity of single-fold drama and the prosperous of the Ming Dynasty musical troupe were adapted to each other. The form and characteristics of the single play match with the size of the family play troupe. The diversification of the performance style of the family troupe makes the single play to the drama stage. In the later period, some frustrated scholar is not only the owner of the family play troupe but also the single The creator of the play There is a good match between family music troupe and single-fold play, which promotes the development and prosperity of single play.