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格里埃尔作为俄罗斯民族乐派后期最重要的代表人之一,其作品有着非常强的民族性,并且相比同时代前苏联的其他作曲家,格里埃尔作品中不同地域民歌的运用也是最多最好的一位。本文主要是立足于研究民歌元素的角度来分析在东欧音乐史上具有里程碑意义的格里埃尔的《圆号协奏曲》,同时也通过这部作品三个乐章中民歌元素的收集、整理来更深地了解格里埃尔作曲的民族性以及作品中运用民族音乐元素的这种作曲技法,首先对格里埃尔及其创作的《圆号协奏曲》进行了分析,并重点分析了格里埃尔《圆号协奏曲》中的民族元素,以期可以通过本次以格里埃尔的《圆号协奏曲》为切入点的考察来研究这部作品中的民歌元素,从而更深刻的了解格里埃尔的作曲风格以及不同民歌所属民族的音乐特征。
As one of the most important representatives of the late Russian national music school, his works have a very strong national character. Compared with other composers in the former Soviet Union and other local folk songs in the works by Guriel, Also the best one. This article is mainly based on the analysis of the elements of folk songs in the analysis of the history of Eastern Europe’s music in the landmark Gregor’s “French Concerto”, but also through the composition of folk songs in the three pieces of the collection of works, to better understand The nationality of Gurier’s composition and the composition technique of using national music elements in his works firstly analyze Gurier’s “Horn Concerto” and its creation, and analyze the “ ”In order to study the folk elements in this work through the study of Guriel’s“ Horn Concerto ”, so as to get a deeper understanding of the composition style and different The Musical Characteristics of the Folk Belongs to Folk.