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一个刚步入民族歌剧舞台的很有希望的青年演员,不久前在首都的歌剧舞台上引起了人们的关注。她,就是海军政治部歌剧团演出的歌剧《琴箫月》中秋菊的扮演者李洁(见本期封面)。李洁今年二十四岁,出身艺术之家,从小喜欢唱歌、演戏。十四岁时,她开始学京戏,曾从著名京剧演员马最良学艺,先后在《渡口》,《逼上梁山》、《雏凤凌空》等戏中担任过角色,打下了扎实的花旦、武旦功底。一九七九年,她考进海政歌剧团,在《壮丽的婚礼》中演过角色,并应邀在香港“新联”影片公司主持拍摄的功夫片《少林寺》中扮演女主角白无瑕。扮演秋菊,这是她首次担任歌剧中的主要角色。秋菊是一个纯洁善良、知情
A very promising young actor who just stepped into the stage of a national opera has aroused people’s attention recently in the opera stage of the capital. She is Li Jie (see the cover of this issue), an actor in mid-autumn melody of “Piano Xiao Yue”, performed by the opera troupe of the Navy’s Political Department. Twenty-four years old this year, Li Jie was born in an art house and grew up singing and acting. At the age of fourteen, she began to learn Beijing opera. From the well-known opera actress Ma Zhaoliang, she successively held the roles of “ferry crossing”, “surrendering to Yangsan Mountain” . In 1979, she was admitted to the Hai Du Opera Corps and played a role in the “magnificent wedding”. She was invited to act as a heroine in the “Shaolin Temple,” a kung-fu film produced under the auspices of Hong Kong’s “New Alliance” film company. Playing Qiu Ju, this is her first major role in the opera. Qiu Ju is a pure and kind, informed