论文部分内容阅读
通常,艺术创作存在着时间的、地域的共性。比方我们常说,这是古代的艺术,这是现代的艺术;这是亚洲的艺术,这是欧洲的艺术,等等。之所以能在艺术品中识别时间和地域的共性,不是作品表面简单的写上年号或者是记载某一地区的风情或风貌,而是取决于观赏者起码的历史和地理的常识之外的文化判断力。在评述近现代的中国水墨画文献之中,以如此文化判断能力看岭南画派、海派、长安画派以及浙派、金陵画派之类的称谓,就不至于将这些名词只是硬性的、地理意义上的简单划分。
In general, there are time and geographical commonality in artistic creation. For example, we often say that this is the ancient art, which is the modern art; this is the art of Asia, which is European art, and so on. The reason why we can identify the commonalities of time and region in the works of art is not that we simply write the number of the works on the surface or record the style or style of a certain area but depend on the observer’s minimal historical and geographical common sense Cultural judgment. In commenting on the modern Chinese ink painting literature, viewing such titles as the Lingnan School, the Shanghai School, the Chang’an School, the Zhejiang School and the Jinling School with such cultural judgment will not make these nouns just rigid and geographically Simple division.