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我第一次见到风康,就注意到他身上流露着一种当下苏州人少有的东西。我说不出具体是什么,但可以肯定:那是久违的民国版苏州范。我惊喜于现在的苏州还有这般苏州人。随后我看到风康的字,再后来和他认真通过一回信,大谈各自对写字的看法,风康就这样深深地契人我的脑海。他的字最初给我的印象:瘦,硬,有风骨,笔墨里渗透着苦涩、沧桑,如同他忧郁的眼神,这一点,很像我敬慕的那些苏州老辈容止。这是一种去时已远的风华。这样人,即便不写字,不做文人,也配进世说新语。苏州这个地方,以优越的地理环境,丰富的物产,富庶的生活,历来多书法
When I first saw Feng-kang, I noticed that there was something very rare in Suzhou today. I can not tell what is concrete, but I can be sure: it is a long absence of the Republic of China version of Suzhou Fan. I am surprised that there are so many Suzhou people in Suzhou now. Then I saw the words of Feng-kang, and later he seriously passed a letter, talking about their own views on the writing, and wind so deeply debit my mind. His initial impression of my character: thin, hard, strong, with a bitter, vicissitudes of life, as his melancholy eyes, which, much like my admirable Suzhou elders tolerated. This is a time gone by far. Such people, even if they do not write, do not do literati, but also with the new language. Suzhou, this place, with superior geographical environment, rich products, rich life, has always been more calligraphy