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侭管苏轼传世的书画作品有限,又有鱼目混珠之虞,依然未能稍掩东坡书画的光彩,后人或万金購求,或仿傚学习,或循个人品味与时代審美风尚体察赏鑑,或从创作實务之经验论析东坡笔墨千秋,其中有讚誉备至,亦不乏诋毁轻蔑。从东坡书画之历代评价,可得知其艺术形象之多重面貌,以及不同眼光中迥異其趣的东坡世界。历来对东坡书法最为折服,见解極为精到者,首推山谷,山
Despite the limited number of calligraphies and paintings that Su Shi passed away, there is still a danger that fish may be caught in confusion and still fail to cover the glory of painting and calligraphy on the east side. Later generations or Wanzhong purchase or follow the example of learning or personal taste and the aesthetic style of the times, Or from the practical experience of writing on the Dongpo pen and white, which has praise, there is no lack of slander contempt. Judging from the history of painting and calligraphy in Dongpo, we can get to know the multifaceted appearance of the artistic image and the different oriental world in different perspectives. Has always been the most impressed on the Dongpo calligraphy, insight is extremely good, devaluation of the valley, mountains