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原文:逆入①、涩行②、紧收③,是行笔要法。如作一横画,往往末大于本④。中减于两头,其病坐不知此耳。竖、撇、捺亦然。注释:①逆入:起笔作藏锋,欲右先左即逆入。②涩行:即行笔不欲其速,不能轻便出之。如横鳞、竖勒,皆应着实为之。③紧收:即护尾之意。在笔画势尽时力收之,即把笔尖用力收回。④末大于本:起笔轻,收笔重,亦即中减于两头之意,有所谓蜂腰者,似之。释义:每一笔画,都应贯彻始终。起要藏头,行要笃实,收要护尾,无论横竖撇捺,莫不有首尾中间,
Original: Inverse ①, Shibuya ②, tight income ③, is a matter of course. As a horizontal picture, often at the end than the ④. Less in the two, the disease sit I do not know this ear. Vertical, write-off, the same is true. Note: ① Inverse: Since writing for possession of front, to the right first left that is reverse. ② Shibuya: that line do not want its speed, can not be light out. Such as horizontal scales, vertical Le, should be the real one. ③ Tight: meaning care tail. In the sketch make the best effort to close, that is, the pen point forcefully recovered. ④ at the end of more than this: pen lighter, pen heavy, which means less in the meaning of the two, there are so-called beggar, like it. Interpretation: Every stroke should be carried out consistently. Starting from possession of the head, the line should be honest, close to take care of the tail, regardless of anyway Naishi Na, there is no end,