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建国后新型文学体制的建构,虽内在地规约了文学活动的可能空间和进行方式,但温州文坛“三杰”的文学创作还是令人瞩目。“文革”十年间,许多作家因生活的困顿和精神的劫难放下了手中的笔,但是唐湜这位“诗坛圣火的点燃者”却在寂寞中打磨出文学的精品。在新时期强大的市场经济大潮中,文学和经济、作家和商人几经碰撞、相互融合,最终形成难分难解、互动共生的态势。一批敏锐而富有社会责任感的温州作家,把专注的目光投向温州这一块神奇的土地,用手中的笔记下了这个时代的风云,用各种文学形态对温州和温州人形象作了全景展现。
Although the construction of a new literary system after the founding of the People’s Republic of China, although it inherently stipulates the possible space and ways of conducting literary activities, the literary creation of Wenzhou Literary Tribune is still remarkable. During the ten years of “Cultural Revolution”, many writers put down the pens in their hands due to the hardships in life and the devastation of the spirit. However, the poet “The torch of the holy flame of the poetic circles” polished the literary quality in loneliness. In the powerful tide of market economy in the new period, literary and economic, writers and businessmen collided with each other and eventually formed an intractable and interactive symbiosis. A group of Wenzhou writers who are keen and socially responsible have turned their attention to the magical land of Wenzhou. With the notes in their hands, they have taken the situation of this era and used all kinds of literary forms to present the images of Wenzhou and Wenzhou.