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在CBDF2015教师及评审培训班上,摩登理论课教官李濛为学员们细致地分析了摩登舞的理论基础,尤其是评审们需要掌握且能够非常清楚辨析的要点。由于教学内容多,时间有限,在培训班上虽然李濛尽心尽力通过理论结合实践的方式进行了讲解与演示,但是学员们对于这种系统的理论知识还难以一下子消化透彻。CBDF特邀请李濛老师为大家作课后的要点分析提示,以便于学员们对照复习巩固,思考理解。编者在这里想提醒大家,同任何一门艺术一样,理论知识的学习掌握,是从业者必不可少的环节,也是对实践具有非常重要指导意义的内容。国标舞是门新兴的舞蹈艺术,理论研究上尚很缺乏,在当今历史进程中的国标舞业界同仁,都有责任从理论的层面加强分析与总结,以推动国标舞实践走向更精深的境界。
In the CBDF2015 teacher and review training class, modern theoretical instructor Li Meng gave participants a detailed analysis of the theoretical basis of modern dance. In particular, judges need to know and be able to clearly understand the key points of discrimination. Due to the large amount of teaching and limited time, although Li Meng tried his best to explain and demonstrate through practice and theory, students could hardly digest the theoretical knowledge of such a system at once. CBDF invites Teacher Li Meng to make analysis tips for everyone after class so that students can review and consolidate their thinking and understanding. Editors here would like to remind everyone that just like any art, the study and mastery of theoretical knowledge is an indispensable part of practitioners and a very important guide to practice. National standard dance is a new dance art, theoretical research is still very scarce. In today’s historical process of the national standard dance industry colleagues, all have the responsibility to strengthen the analysis and summary from the theoretical level in order to promote the practical application of the national standard dance to a deeper level.