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以拍摄富于激情的青春片和迹近疯狂的动作片著称的周晓文,这回给我们的是一部节奏舒缓、调子冷峻、侧重心理分析的恐怖片。从影以来,周晓文的取景框始终没有离开过他所熟悉和钟爱的同时代的少男少女,这回也不例外,主人公全是聪慧过人、生命活力旺盛的年轻人。不同的是,这回不是那些观众已非常面熟的生活困顿、焦灼不宁的普通的都市青年,而是已经跃居大款地位和雄心勃勃要取大款而代之的新兴的富有者。在拜金主义、享乐主义和极端利己主义似已成为一种时髦的今天,有些人只知道当大款好,十分垂涎那种有了钱想要什么享受都能办到的阔绰生活,便不择手段肆意捞钱。周晓文的影片《测谎器》却给了我们一
To capture passionate youth film and traces of crazy action film known Zhou Xiaowen, this time to us is a rhythm, somber, focus on psychological analysis of the horror film. From the movie, Zhou Xiaowen’s viewfinder box has never left his familiar and beloved contemporary boys and girls, this time is no exception, the hero is full of intelligent extraordinary life vitality of young people. What is different is that this time is not an ordinary urban youth who have been overwhelmed by the spectacle of their daily lives. Instead, they are emerging wealthy people who have already leapt into big numbers and ambitiously want to take the big ones. In the days of money-worship, hedonism and extreme egoism, which have become fashionable today, some people only know that when they are well-versed and very coveted, they have the means to live comfortably with the money they want. Make money. Zhou Xiaowen’s film “Polygraph” gave us one