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一、中国民族绘画思维方式在龙门石窟浮雕雕刻中的体现龙门石窟雕刻是中国人的艺术,它的审美思想与创作方法与中国民族绘画是一脉相承的。龙门石窟雕刻从艺术创作与现实生活的关系上讲,重表现而轻再现;从对创作主体认识的角度来讲,重主观感受轻视观察;从造型思维方式来讲,重神似轻形似。“天人合一”作为中国文化的整体价值观,深刻地影响到民族绘画与雕刻价值观的确立。无论绘画还是雕刻,形象的最高价值不在干对对象的摹似,而是通过形象将人、神灵、自然三者融合为一体。
First, the Chinese way of thinking of national painting in the relief carving Longmen Grottoes Longmen Grottoes carving is the Chinese art, its aesthetic thinking and creative methods and the Chinese national painting is the same strain. Longmen Grottoes carved from the artistic creation and the relationship between real life, heavy performance and light reproduction; from the perspective of the creative subject perspective, the main subjective feelings of contempt; From the modeling thinking is concerned, the resemblance resemblance to light shape. As a whole value of Chinese culture, “harmony between man and nature” has a profound impact on the establishment of the values of national painting and sculpture. Regardless of painting or sculpture, the highest value of the image is not the imitation of the object, but through the image of people, gods, nature of the three into one.