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实际上,革新派的“主情”潮流与明代心学是互为表里的,这是与复古派之间最为显著的差异。复古派文人虽然也身处心学潮流之中,但他们的文学思想和文学创作更加遵循文学的内在逻辑,多取法秦汉、盛唐,以之作为创作的准则。革新派则并非如此,革新意味着对传统的摒弃,因此他们关注的是文学的当下存在,甚至有重新创设文学传统的考虑。明代中期以后,尽管阳明心学分化成多个分支,但个性解放思想是它们的共性特征,革新派的革新
In fact, the innovations’ “sentiment” trend and Ming Dynasty psychology are mutually exclusive, which is the most significant difference with the retro school. Although the literary writers of the retro style are also in the trend of heart learning, their literary thoughts and literary creations follow the inherent logic of literature more, and take the law of Qin and Han dynasties and Tang dynasty as the criterion of their creation. Innovations are not the case, and innovation means abandoning tradition, so they are concerned about the present existence of literature and even the consideration of re-establishing literary traditions. After the middle of the Ming Dynasty, despite the differentiation of Yangming psychology into multiple branches, the emancipation of personality is their common feature and the innovations of the innovators