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作为20世纪后半叶的著名诗人,特德·休斯深受萨满信仰以及萨满文化影响,在其诗学理论和诗歌创作实践中,都充分体现了诗人与萨满的共性。本文以比较研究的视野,从诗人身份的先知意识、创作过程的迷狂状态、诗歌文本的音乐特质,以及诗歌作品的治疗功能等四个方面入手,探究特德·休斯诗歌与诗学中所体现的鲜明的萨满特性,继而研究休斯在借鉴和创新中所体现的独特的诗学观念和诗歌艺术特质。
As a famous poet in the second half of the 20th century, Ted Hughes was deeply influenced by shamanism and Shaman culture. In his poetics theory and practice of poetry writing, Ted Hughes fully reflected the commonness of poets and shamans. This article attempts to explore the relationship between Ted Hughes’ poetry and poetics from the perspective of comparative study from four aspects: the poet’s consciousness of the prophet, the mad state of the creative process, the musical characteristics of poetry texts, and the therapeutic functions of poetry. Embodies the distinctive characteristics of shaman, and then studies Hughes’ unique poetic concepts and poetic artistic qualities embodied in his works.