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首先必要声明的是:对于范治斌,我会不避讳,更不会吝啬所有我能忆起的赞美之辞。个中缘由,非是我与他有三年博士同窗之谊,抑或六七载莫逆于心的知己之交,亦不是因为我对其画作然近乎狂热的喜爱之情,而是作为一位同时从事艺术评论与市场分析的艺术研究者,若干年下来虽然成绩算不得斐然,却让我很是了解当代书画圈儿,甚是了解中国艺术市场,加之实在太了解范治斌,所以我深知中国当代画家,特别是广大青年画家需要何样的锤炼与提升;中国艺术市场,特别是中国当代书画市场渴望何样的画家与作品,还有何为学院派、创新技法、唯美意境、画家潜质等等的正解。所谓答案即为典范。这就是我为什么会赞美不绝的真正原因:
The first necessary statement is: For Fan Zhibin, I will not be taboo, but will not mean that I can remember all the words of praise. The reason is not because I had a three-year fellowship with my Ph.D. students or my friendship with the heart of the revolution in June and June, nor was it due to my fanatical love for her painting. Instead, I was working as a co-worker Art critic of art criticism and market analysis. Although the performance was not impressive for a number of years, it made me very familiar with the contemporary painting and calligraphy circles, and even understood the Chinese art market. In addition, I really knew Fan Zhibin very well. Therefore, I know well that contemporary Chinese artists , Especially the young artists need to be tempered and enhance; Chinese art market, especially the contemporary Chinese painting and calligraphy market, what kind of painter and works, what is the academic school, innovative techniques, beautiful mood, the artist’s potential and so on correct. The so-called answer is a model. This is the real reason why I can not praise: