浅析“大音希声,大象无形,大巧若拙”在舞蹈中的体现

• 作 者: 袁荳
• 机 构: 中国地质大学(武汉)艺术与传媒学院,
• 出 处: 金田
• 发表日期: 2014年04期
• 关键词: 大音希声 大象无形 人生百态 子将 雨巷 粉墙黛瓦 享受生活 中国江南 内在修养 《雨巷》

老子“大音希声,大象无形,大巧若拙”的观点告诉我们,往往达到极致的东西,才是最不可捉摸的,老子将人生领悟的最高境界用简单的几个字概括,让我们在领略人生百态后去细细品读。本文主要探究“大音希声,大象无形,大巧若拙”在舞蹈中的体现,将从以下两个方面来探析:1.舞蹈艺术家们“大巧若拙”的心态;2.舞蹈创作中“大音希声,大象无形”的内涵及意境体现。我们要做纯粹的人,用最简单,最平和的心境去创作,无才能容纳万有,包容一切我们才能创造出一切。

Lao Tzu ’s “big tone of hope, the elephant invisible, big and soft” point of view tells us that often achieve the ultimate thing is the most elusive, I will be the highest level of life comprehension with a simple summary of a few words Let us read carefully after reading the best of life. This article mainly explores “the big tone of the sound, the elephant invisible, big and soft” expression in the dance, will be from the following two aspects to explore: 1. Dance artists “big and soft” mentality ; 2. In the dance creation “big tone, sound, elephant invisible ” connotation and artistic expression. We want to be pure people, with the simplest and most peaceful mood to create, no ability to accommodate all, inclusive of all we can create everything.