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1996年我在北京第一次看到王俊英的作品,我所解读到的是创作者追求超越于形似之外的神韵秘密,引领众人走向无穷的艺术空间,体现中国艺术思想的象外之象。
The first time I saw Wang Junying’s works in Beijing in 1996, what I have read is that creators are seeking to transcend the secret charm beyond form and form, leading the people into infinite artistic space and embodying the likeness of Chinese artistic thought.