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专题摄影,历来是中外画刊所采用的主要表现形式。近些年来,各大报纸上也纷纷出现一组又一组令人耳目一新、反复回味的摄影专题。专题摄影被广泛采用,而且发展很快,不能不说是摄影文化的一次变革和飞跃。它既符合摄影宣传的需要,又和改革开放的步伐相合拍;既满足了人们不断变化的审美需求,又和自身的特征相吻合。由此可见,摄影,作为一种艺术门类,在完成了由摄影技术到摄影艺术,由摄影艺术到摄影文化的发展、丰富、提高之后,呈现出多彩多姿的形态是很自然的。专题摄影与独幅新闻照片表现有着诸多异同。专题摄影比起独幅照片,除了使人一目了然感觉到的涵盖面宽、容量大、信息多之外,还有一些内在的独特之点。因此,我们在从事专题摄影报道时,必
Thematic photography has always been the main form of expression adopted by Chinese and foreign art galleries. In recent years, a series of refreshing and repeated aftertaste photography projects have also appeared in major newspapers. Thematic photography is widely used, and the rapid development, must say that a transformation and leap in photographic culture. It not only meets the needs of photographic propaganda, but also with the pace of reform and opening up; not only meet people’s changing aesthetic needs, but also with their own characteristics consistent. Thus it can be seen that photography, as an art genre, is quite natural after it has completed the development, enrichment and enhancement of the art of photography from photographic art to photographic art. There are many similarities and differences between thematic photography and the single piece of news photo performance. Compared with the single photo, the thematic photography has some inherent points of uniqueness in addition to the wide coverage, large capacity and abundant information that people can see at a glance. Therefore, when we are engaged in thematic photography coverage, we must