论文部分内容阅读
我手边有一本题为《日本建筑的新浪潮》的小册子。它是1978年,当时由彼得·艾森曼主持的建筑,城市研究所(IAUS)举办的日本从30岁到50多岁的11名建筑师的作品展览会的说明书。书的开头,有肯尼斯·弗兰普顿的一篇文章,谈到70年代后半日本建筑的状况。虽然作者是从外部看的,却相当准确,使人很感兴趣。展出的11位建筑师,决不属于有同一志趣的集团。他们之间的建筑思想、创作途径各不相同。例如其中的象设计集团、伊东丰雄、安
I have a brochure entitled “The New Wave of Japanese Architecture” on hand. It was in 1978, when the architecture of the 11 architects from 30 to 50 years old was held by the Institute of Urban Studies (IAUS), a building hosted by Peter Eisenman. At the beginning of the book, an article by Kenneth Frampton talked about the status of Japanese buildings in the second half of the 1970s. Although the author viewed it from the outside, it is quite accurate and interesting. The 11 architects on display never belonged to the same group. The architectural ideas and creative approaches between them are different. For example, the image design group, Ito Fungo, and Ahn