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《髹饰录》乾集“楷法第二”章中已论及整个漆器制作的基本原理,特别是“三法”条将漆工之“文”与“质”二者作了概括而又形象的阐发。“质”是指漆器的内质,“文”是指漆器的外观装饰。“质”的工艺原理是“质则人身”,对此,杨明注释说:“骨肉皮筋巧作神,瘦肥美丽文为眼”,它虽比原作者黄成说的具体了些,而且更形象了些,但毕竟还只是抽象的原理,具体的內涵到底是什么没有明确无误地叙述,因此很容易使人感到“玄,”似乎是在用“天、地、人来附会漆工”,其实不然,它在《髹饰录》坤集“质法第十七”章中对“质则人身”作了非常具体的交代,可以说它是古漆器“质法”规范所必需遵循的工艺规程和操作规程,带有普遍意义的一般内涵,但
The basic principles of the entire lacquerware production have been covered in the “Second Book of Kai Scriptures” in “The Book of History,” especially the “Three Laws” which generalizes and images both the “wen” and the “quality” of painters The elucidation. “Quality” refers to the internal quality of lacquer, “文” means the appearance of lacquer decoration. “Quality” principle of the process is “quality of the human body,” In this regard, Yang Ming commented: “fleshy skin tendons as God, thin fat beauty of the text for the eye,” although it is more specific than the original author Huang Cheng said, and But even after all, it is only an abstract principle. What exactly it means is not clearly stated. Therefore, it is easy to make people feel “mysterious.” It seems that people are using “Heaven, Earth, and People to attach paint painters” In actual fact, it makes a very specific explanation of “the quality of the human body” in Chapter Seven of the “Quality Law” of the “髹 录 录” “episode. It can be said that it is a process that must be followed in the” quality law "of ancient lacquerware Procedures and operating procedures, with a general meaning of the general content, however