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进入新世纪以来,电视剧的文化消费已成为广大群众主要文化消费的形式之一,尤其是近年播出的抗战题材电视剧,更是将电视剧创作推向了同质化、庸俗化、低能化、扁平化的绝路,使许多抗战剧雷同到了令人难以启齿的地步。素不知,这类极为平庸的娱乐至上的创作观点,不但使创作人员遭到有良知的中国人的谴责,而且有可能歪曲历史、误导观众,误读历史。同是艺术创作,戏曲创作,无论是老戏新排,还是原著改编、新编历史剧,抑或是现代戏创作,从编剧、导演到演员,都是全力以赴,抱着对观众、对艺术、对社会
Since the beginning of the new century, the cultural consumption of television dramas has become one of the major forms of cultural consumption of the broad masses of the masses. Especially in the TV drama of the war against Japan, which was broadcasted in recent years, the television drama has even pushed the creation of television dramas to homogeneity, vulgarization, inefficiency and flattening The road to destruction has brought many anti-Japanese theaters to incredible proportions. Inexplicably, this extremely mediocre entertainment-first creative point of view not only condemned the creative staff to Chinese people with conscience, but also distorted history, mislead the audience and misread history. The same is the art creation, drama creation, whether it is a rehearsal of the old drama, or the original adaptation of the new historical drama, or modern drama creation, from the screenwriter, director to actor, are all out to hold the audience, the art of society