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在世界当代艺术中,似乎没有雄厚传统根基的美国只有以花样翻新见长。这里的一组文章介绍了他们诸多艺术实验中的三项: 包装大师克里斯托对国会大厦的包装。回应着人类拆墙平沟走向一体的脚步。 约帕·张伯伦对机械废料的组合,发泄着工业社会贫乏而又过剩的设计灵感。 地铁画家基思·哈林千姿百态的人体动作卡通,不仅被装饰在各种生活实用品上,而且制成钢材拼接的三维城雕,具有了纪念碑的特质,其波普性超越了安迪·沃霍尔、罗森伯格等当代美国画家。
In contemporary world art, the United States, which does not seem to have a strong traditional foundation, is only known for its exemplary renovation. Here’s a series of articles that showcase three of their many art experiments: the packaging master Cristo wrapped up the parliament building. In response to the demolition of the wall to the human groove into one step. Joppa Chamberlain’s combination of mechanical waste sheds inspiration for the design of the industrial poor and surplus. The subway cartoonist Keith Harlem human activities cartoon, not only be decorated in a variety of practical life products, and made of steel splicing three-dimensional city sculpture, with the characteristics of the monument, its pop beyond Andy Warhol Hall, Rosenberg and other contemporary American painters.