论文部分内容阅读
对一些人来说,回忆已是过去再无可能,对一些人来说,回忆是流连忘返于心间,对陈可来说,回忆可以定格,更可以见证。作为当代女艺术家,陈可的作品充斥着温润忧侈的怀旧腔调,他们总是能唤起人们记忆深处能东西,像是一种个体情感的表达。在印象里,清新的卡通式小人物,与艺术扯不上任何关系,但就是这样单纯,煽情的绘画,吸引了观者的注意力。回顾陈可的作品,在早期卡通痕迹明显的绘画之后,《直到世界尽头》,《晚餐》,以及《江边游》等不同时期的作品,都表现了强烈的叙事性主题。其中,《昨天的我,明天
For some people, memories are beyond the reach of the past. For some, memories are linger in the heart. For Chen Ke, memories can be rated and testified. As a contemporary female artist, Chen Ke’s works are full of gentle and nostalgic nostalgia, and they can always arouse people’s memory to something like an expression of individual emotion. In the minds of fresh cartoon characters, nothing to do with art, but it is such a simple, sensational painting, attracting the viewer’s attention. After reviewing Chen Ke’s works, the works of different periods such as “Towards the End of the World,” “Dinner,” and “Riverbank Tours” have shown strong narrative themes after the obvious traces of early cartoons. Among them, "I am yesterday, tomorrow