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本文用作者自身的体会,探讨陶瓷人物绘画艺术创作前的立意以及性质和形式,这个学术问题从古至今艺术界一直在探讨。至于陶瓷艺术绘画,关于人物创作的立意、研究、实践的论述,已有不少优秀的论证。无论何种艺术,创作立意起始于想象。作为陶瓷艺术工作者,无论采用何种技法和手段,无论运用哪种绘画形式,画面所塑造的空间、形态、色彩、光影和气氛效果都应围绕创作前的立意去进行。正确地把握创作前的立意,才能画出含意深刻而又有欣赏价值的陶瓷艺术作品。
This article uses the author’s own experience to explore the conception, nature and form before the creation of the ceramic figure painting art. This academic issue has been discussed from ancient to present artistic circles. As for the art of ceramic painting, the conception, study and practice of character creation, there have been many excellent arguments. No matter what kind of art, creative conception starts from imagination. As a ceramic art worker, no matter what techniques and means are adopted, no matter what kind of painting form is used, the space, shape, color, light and atmosphere created by the picture should be carried out around the pre-creation conception. Correctly grasp the preconceive ideas, can draw a deep meaning and appreciate the value of ceramic art works.