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一、环境观念一个环境,从非地理学的意义上讲是一个创造物,一个被创造为可视、有形、可感的种族领域(ETHNIC DMAIN)。就此而论,它当然是一种幻象,就象其它造型符号,它首先是独立自在的感性空间的幻象。——Susanne K.Langer 现代建筑学在自身发展之中积累了极其丰富的美学表现手段,在吸收了许多其它艺术表现手法的同时,其特有的表现手段已得到了很大程度上的发展。环境观念就是建筑师的知识积累和观念发展向更高层次引伸的必然结果。环境观念涉及社会效益、环境效益和人为事物科学,并以此作为评价环境的
I. Environmental Concepts An environment is a creation in a non-geographical sense and a ethnic DMAIN created as a visible, tangible and sensible race. In this connection, it is of course an illusion, like other styling symbols, it is above all an illusion of an independent and sensual space. ——Susanne K. Langer Modern architecture has accumulated extremely rich aesthetic expression means in its own development. At the same time it has absorbed many other artistic expression techniques, its unique performance means has been developed to a great extent. The concept of environment is the inevitable result of the architect’s accumulation of knowledge and the development of ideas to a higher level. The environmental concept involves the social benefits, environmental benefits, and human affairs science as an evaluation of the environment.