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一幅用摄影方式生成的图像被观看时,通常可能有两种被解读的方式。一种是观者被图像所传达的内容或意识所吸引,而忽略所承载的媒介本身,作者使用最平和简略的视觉形式直指内容本身,使得观者将图像笼统地作为“艺术”作品来观赏;另外一种情况是,观者即能够发现图像所传达的内容,又能注意到承载媒介自身的形式语言,自身媒介的强度很突出,从而成为典型的“摄影”作品。作为一个批评者和拍摄者,我常思考这两种摄影呈现方式各自的特点和差异的问题。
When a photo-generated image is viewed, there are usually two possible ways to interpret it. One is that the viewer is attracted by the content or consciousness conveyed by the image, while ignoring the medium itself. The author uses the most peaceful and concise visual form to point to the content itself, so that the viewer can generally use the image as an “art” The other is that the viewer can find out the content conveyed by the image and can notice the formal language of the bearing medium. The intensity of the medium is very prominent, which makes it a typical “photography” work. As a critic and filmmaker, I often think about the characteristics and differences of the two photographic modes of presentation.