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最近,许正立拿来几幅戏剧人物小品给我看,品味之余我记起一位资深的京剧学者由衷评价国人喜爱这个剧种的一句话:“京剧的重要魅力不是别的,在于它腔调的音律。”一言以蔽之,的确如此。无论是被称之为国粹的京剧,还是南北西东各类地方剧种,除专业人士、票友以及铁杆儿戏迷之外,大众百姓能够道出戏中门道的人并不多,对剧情有多么深入的了解且不必说,对剧中人物的判断与理解也只停留在一个惯用而且非常简单明了的概念,即为好人与坏人上。当所谓坏人唱出绝美的音律,人们照样喝彩,即使他并未开口,由于唱得出名一出场也会博得个“碰头好”。在公众场合过去和现在一样,
Recently, Xu Zhengli brought me a few sketchy sketchies to show me that while I was having a taste, a veteran Peking opera scholar sincerely appraised the people’s favorite piece of the play: “The important charm of Peking Opera is nothing but its melodic tone ”In a nutshell, it is true. Whether it is called the quintessence of Peking Opera, or various types of local operas in North, South, East and East, in addition to professionals, ticket holders and hardcore children, the public can not tell the doorway people are not many, how the plot depth Needless to say, the judgment and understanding of the characters in the play only remain in a common and very simple concept, that is, good and bad. When the so-called villain sings a beautiful melody, people applaud, even if he did not speak, due to sing a famous play will win a “meet-you-go.” In public, as in the past and now,