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关于革命的现实主义和革命的浪漫主义相结合的问题,“剧本”编辑部的同志要我从歌剧方面谈一点意见。这个问题很大。这些年来歌剧方面有许多新的经验,而我所接触到的却很少。因此,就我的认识能力,很难谈出什么可以算作意见的意见来。最近跟有的同志谈话,接触到了这一方面,我有些零碎的感想。现在把还记得的几点写出来,作为向编辑部的汇报吧。一、关于浪漫主义与歌剧形式的特点问题有的同志曾提到,歌剧(包括戏曲)这种艺术形式是不是比另外有的形式更适合、也更应该“浪漫主义一些”?
With regard to the combination of revolutionary realism and revolutionary romanticism, comrades in the editorial department of the “Script” asked me to give some advice on opera. This is a big problem. There have been many new experiences in opera over the years, and I have not seen much contact with it. Therefore, as far as my ability to know is concerned, it is hard to talk about what can be regarded as opinion. I have talked with some comrades recently and in this respect, I have some fragmentary thoughts. Now write down the points you remember, as a report to the editorial department. I. Some Comrades on the Characteristics of Romanticism and Opera Forms Someone once mentioned that the art form of operas (including opera) is more suitable than other forms and should be more “romanticist”?