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七十年代初中期,乌鲁木齐一所普通中学里,一批从内地运来的石膏模型周围坐着几个热爱绘画的高中学生,每天晚上在老师李大用先生的指导下用功,其中就有我。我很运气也很用功,开始学画就受到比较正规的训练,重写生大量画速写和石膏素描。在文革后期的社会背景下,能在边城画石膏素描实在是很不寻常的事。当时乌鲁木齐一共30多个中学,惟有我所在的第五中学为学生的美术小组买了一大批石膏模型。这主要得益于从天津来“支边”(支援边疆)的青
In the middle of the seventies, a group of ordinary middle schools in Urumqi, a group of gypsum models shipped from the Mainland seated several high school students who love painting, every night under the guidance of the teacher Mr. Li Dali, among them I . I was very lucky and hardworking, began to learn painting by more formal training, rewriting a large number of painting sketches and plaster sketches. Under the social background of the late Cultural Revolution, it is very unusual to draw a gypsum sketch in the border town. At that time a total of more than 30 secondary schools in Urumqi, only my fifth secondary school for the student art group bought a large number of plaster models. This is mainly due to the “support” (supporting frontier) of youth from Tianjin