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泰然自若、叉开双腿在那里站着的这些由废弃金属弯曲而构成的马,看上去比例协调,显得安逸、美丽而且永远年轻.这一切是艺术家主观自我意识对自然的再现,对雕塑家来讲这一点极其重要.在西方艺术形式中以马为媒介的艺术品具有很长久的历史,对于这份遗产是取之不尽用之不完的.在西方艺术所表达的动物王国里,马是最多被艺术家来表现的.在艺术中象生活中一样,马一直是我们人类的朋友,对于这一优质动物的表达,常从思想上、情感上表现着艺术家对人类自身的赞美.我们从早期诺曼斯的挂毯中,从哈伊得罗对撒克逊人卓越的骑兵选美中都能得到证实.不论是伟大的浪漫主义绘画时期,还是在格拉克特非凡的素描之中,艺术表现中的马的形象从未真正地有过孤
The calm, beautiful and everlasting horses that stood out with their legs folded and bent by the abandoned metal seemed to be proportionally harmonious, and seemed to be the reproduction of nature by the subjective self-consciousness of the artist, It is extremely important to talk about this point: in the western art form, horse-mediated art has a long history and is inexhaustible for this heritage. In the animal kingdom expressed by Western art, Is the most expressed by the artist.In the art, as in life, the horse has always been our human friend, and the expression of this high quality animal often shows the artist’s compliment on mankind itself ideologically and emotionally In early Normans tapestries, from Haydroy’s testimony to the beauty of the Saxon cavalry, whether in the great romanticist period or in Grotesque’s extraordinary sketches, The image of a horse has never really been lonely