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作为一种审美风格,隐喻的叙事方式在文学作品中常常被采用,在当代视觉艺术中却往往被忽略,在当代风景绘画表现中也是如此。人们更加倾心于新的图示、构成、风格、综合媒材的表现,对于自然的关照、生活的思考、思想的表达少有倾心。拥有了数字拍摄手段后,影像风景告别了人类以手工架上方式描述自然的时代,成为一种新的表达媒介。以对象特征,自然光色的场景表现为主要特征的传统风景绘画显得不再必要了。风景绘画的表现需要以一种新的形态来
As an aesthetic style, metaphorical narratives are often adopted in literary works, often neglected in contemporary visual arts, as well as in contemporary landscape painting. People are more focused on the new graphic, composition, style, the performance of integrated media, for the care of nature, thinking of life, the expression of ideas rarely elated. With the digital camera, the scenery of the landscape bid farewell to mankind’s era of depicting nature in a manual manner and become a new medium of expression. Traditional landscape painting featuring the object features and the scenes of natural light colors is no longer necessary. The performance of landscape painting needs to come in a new form