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中国的古老剧种很多,如京剧、豫剧、河北梆子、秦腔等等。至于这样的剧种本身,命运如何,前景如何,是另一篇文章的内容,暂不细说。我这里要说的是眼下的“现代演员”,如演电影电视的,演话剧的,当歌星、笑星的或什么什么星的,不妨先向中国古老剧种学一点悟性或“唱念做打”的基本功。例如,中国的古老剧种之一京剧,演《空城计》时, 台上只有一个用纸或用布画成的假“城”。司马懿来攻城,代表千军万马的无非是几个龙套式的角色。但台下的人听“诸葛亮”那么一唱,硬是觉得这事很“真”,好像真的看到了一个战场、十万大军、一座孤城。另一出戏《三岔口》里的一场打斗,主要道具和演员无非是一张桌子,三个演员。台下的人看得却颇入境,好像真的看到了一场武打。
There are many ancient Chinese operas, such as Peking Opera, Henan Opera, Hebei Bangzi, Shaanxi Opera and many more. As for the drama itself, fate and foreground, is another piece of content, not to be detailed. What I am trying to say here is the “modern actress” who now plays the role of film or television, drama, singer, comedian or whatever star. The basic skills. For example, when Peking Opera, one of the ancient Chinese operas, performed “Empty City Planning,” there was only one fake “city” on paper with paper or cloth. Sima Yi to the siege, representing the mighty force is nothing more than a few dragon-like role. However, the audience to listen to “Zhuge Liang” so sing, just think it is “real”, it seems really saw a battlefield, one hundred thousand troops, a solitary city. In another drama “Three Forks” in a fight, the main props and actors is nothing more than a table, three actors. The audience was quite impressive, as if really saw a martial arts.