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霍克海默和阿多诺在《启蒙辩证法》中的《奥德修斯或神话与启蒙》一文中,以饱满的笔触写了塞壬女妖的故事:“虽说塞壬的音色很特别……荷马史诗从来就没有提到过,当战船逐渐消失以后,塞壬究竟落了个怎样的下场。”(1)塞壬是古希腊传说中住在海中小岛上的女妖,用美丽的歌声迷惑航海者使其触礁灭亡。长久以来,塞壬成为女性的象征,她们以女性特有的美妙的声音诱惑着男性主导的世界,塞壬的矛盾体现了女性启蒙的暧昧。在男性的“战船”远去,男女冲突对峙逐步消失后,塞壬式的女作家创作出现怎样的变化?
In his article “Odysseus or Myths and Enlightenment” in Enlightenment Dialectics, Horkheimer and Adorno wrote the story of the Siren with full strokes: “Although Siren's tone is very special ... Homer has never mentioned that when the warships gradually disappear, what exactly did the Siren end? ”(1) Siren is a banshee in ancient Greek legend living in a small island in the sea, The song belies the voyagers to perish. For a long time, Siren has become a symbol of women. They seduce a male-dominated world with beautiful and unique voices. The contradictions of Siren embody the ambiguity of female enlightenment. After the male “warship” goes away and the confrontation between men and women gradually disappear, what changes have taken place in the creation of the Seonil-type women writers?