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清代画家,杨州八怪之一的郑板桥根据他自己的切身体验,对民居的单体和环境设计都提出过设想。字数不多,却有精辟独到之处; “十笏茅斋,一方天井,修竹数竿, 石笋数尺,其地无多,其费亦无多也。而风中雨中有声,诗中酒中有情,闲中闷中有伴……有情有味,历久弥新乎! 他主张住房不要追求大面积,一般说来,房间的尺度有4m左右也就够了,占地不宜大,投资少一些;最好有个小小的天井,种几竿竹子,竖几块石头;随着风雨晴阴气候的变化,静中有动,幽中有声,闲中有致能使人们陶冶性灵,抒发情致,培育美感意
Zheng Banqiao, a painter of the Qing Dynasty and one of the eight blames of Yangzhou, put forward ideas for the unit’s monomer and environmental design based on his personal experience. There are not many words, but there are incisive and unique features; “The Shiyan Mao Zhai, one of the patios, the number of bamboo, a few stalagmites, its land is not much, its fees are not much. And the sound of the rain, the poem in the wine In the sentimental situation, there is companionship in the idle stuffiness... There are feelings and tastes that last forever! He advocates that the housing should not pursue a large area. Generally speaking, the scale of the room is about 4m. It is not enough, and the area is not large. The investment is small. Some; preferably a small courtyard, a few kinds of bamboo, a few stones; as the weather changes, the climate changes quietly, quietly, there are sounds, and there are enabling people to cultivate the spirit Cultivating beauty