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提及台湾设计,通常的印象是:崇尚自然、环保、实用性、简单的美学、纯朴的材质、流畅的动线、通透的光线等。这种满含自然精神与人文情怀的设计特征,加上台湾与内地间在地缘与文化上的特殊关系,使得近些年来,台湾设计成为儒雅生活美学的象征,一直被内地设计师学习与模仿。这样的风格之所以能在台湾发光发热,甚至达到某种极致,是市场需求逐渐导向的结果,也是人文沉淀后的产物。事实上,台湾设计的发展也经历了一个多元与错乱的漫长历程,多元
Mentioning the design of Taiwan, the usual impression is: advocating nature, environmental protection, practicality, simple aesthetics, simple materials, smooth lines, transparent light and so on. This design feature, full of natural and humanistic feelings, coupled with the special geographical and cultural relationship between Taiwan and the Mainland, has made Taiwan's design a symbol of elegant life aesthetics in recent years and has been studied and imitated by mainland designers . The reason why such a style can shine and fever in Taiwan even reaches some extreme is the result of a gradual demand-oriented market. It is also the result of the humanistic settlement. In fact, the development of Taiwan's design has undergone a long process of pluralism and confusion. Pluralism