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浙江,自五代吴越国“纳土归宋”之后,上林湖越窑在朝廷失去了原有的地位,逐步淡出宫廷视线,至南宋时明停烧。此时,以越窑为主的浙江优秀窑工汇聚龙泉一带,传承浙江青瓷的烧造工艺。早期龙泉窑,有的与瓯窑相似,有的有越窑的风格,也有的有婺州窑的特点,大量器物中,可以看到越窑、瓯窑、婺州窑等浙江窑系的烧造工艺、纹饰刀法和青釉色泽。在我们平时的工作中,都发现过类似的情况。
In Zhejiang, since the Five Dynasties and Wu Yueguo, “Natsume to Song”, the Shanglin Lake Yue kiln lost its original status in the court, and gradually faded out of sight of the court until the Song of Song stopped burning. At this point, the kiln-based Zhejiang outstanding kiln gathered Longquan area, the heritage of celadon burning process in Zhejiang. Early Longquan kiln, and some similar with the Ou kiln, some Yue style of the kiln, and some have the characteristics of Wuzhou kiln, a large number of artifacts, you can see Yue kiln, Ou kiln, kiln, Zhejiang, Zhejiang kiln firing Made craft, knit knife method and blue glaze color. In our usual work, we have found a similar situation.