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“跳端公”作为一项珍贵的传统民间祭祀习俗,在我国西南及中原地区获得了较大的发展。开县独特的人文习俗和兼容发展的文化背景孕育了神秘而凝重的开县巫文化,其中“跳端公”用精练的舞蹈语汇勾勒出开县地区舞蹈发生的雏形,真实地再现了远古开县先民的精神文化。研究“跳端公”仪式的舞蹈问题,核心在手舞。笔者通过田野调查法,对现有的资源进行统计分析,探讨端公身份的界定;对端公手舞的做出分类论述;从手舞的表象探讨其内在意象,还原其文化内涵;最后从手舞骤减的问题,讨论传统民间技艺的传习问题和文化资源的重构,为传统资源保护的活态整理奉献绵薄之力。
As a precious custom of traditional sacrificial sacrifice, “jumping-end public” has gained great development in the southwest and Central Plains regions of our country. Kaixian unique cultural customs and compatible with the development of the cultural context gave birth to a mysterious and dignified Kaixian witch culture, in which “jump to the public ” with a concise dance vocabulary outline out Kaifeng dance occurrence, a true representation of ancient Kaixian first People’s spiritual culture. Research “jump end male ” ceremony of dance, the core dance. Through the field investigation method, the author conducts a statistical analysis on the existing resources to explore the definition of Duan Gong’s identity; the dissertation makes a discussion on the classification of the courtesan dance; discusses its intrinsic image from the appearance of hand dance and restores its cultural connotation; finally The reduction of hand and dance, discuss the traditional folk skills transfer problems and the reconstruction of cultural resources for the preservation of the traditional activities of living resources to contribute modest.