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“拉鸡尾”原是粤剧舞台上的一种程式,英雄人物每当心情激动,豪兴骤起的时候,随着几声锣鼓“茶笃撑”,把头盔上插的雉鸡尾双手一拨,再扎个英雄架,顿时便显得威风八面,豪气逼人。但作为生活用语,却带有多少贬义,意即夸夸其谈,喜欢自我吹嘘,到处宣扬自己的“丰功伟绩”。五十年代初期,有个叫袁天森的艺人因擅长南派武功,特别几下“木人桩”,在台上打得虎虎生风,行内人叹为观止。曾应省剧协之邀将其中每一招式逐格拍成照片,作为资料保存。可惜却沾染过多旧
“Pull the tail” was originally a program on the Cantonese opera arena, whenever the heroic character excited, happy rise, with several percussion “Chanyu”, the helmet inserted on the pheasant tail wave , And then put a heroic frame, it suddenly appeared prestigious, heroic pressing. However, as a language of life, but with a lot of derogatory meaning, that is rhetoric, like self-bragging about everywhere to promote their “great achievements.” In the early 1950s, there was a artist named Yuan Tiansen who excelled in the southern martial arts and, in particular, played a few roles in the “wooden man pile.” Once invited by the provincial association of dramatists, each of these moves should be formatted as photos and saved as data. Unfortunately, it is too old