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读邹文正先生近十年的山水画作品,没有改变我于2005年在《造化无言焕大美》一文中的基本看法:“邹文正是一位术有所本而又能自出机杼的画家,举凡传统山水画创作的勾描圈勒,皴擦点厾以及烘托渲染等技法在他的画中都派上了用场,从而制造极为丰富的层次变化和气象万千的效果,又能将这丰满而灵动的形象结构成协调统一的节奏和韵律,呈现出有法无法”莫可楷模的艺术特色。而从整体风貌上看,又不
Reading Mr. Zou Wenzheng’s landscape paintings of the last ten years has not changed my basic opinion in the article “Good Words Made Beautifully and Definitely Beautiful” in 2005: “Zou Wenzheng is a man of skill and self-discipline Painters, artists and other traditional landscape painting hooked around the ring, rubbing point and rendering techniques such as rendering are in his paintings have come in handy to create a very rich level of change and the myriad of effects, but also this full and Smart image structure to coordinate the unity of the rhythm and rhythm, showing the law can not ”unmistakable art characteristics. From the overall style point of view, no