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很早就看过萨贺芬的画,但我那时眼睛被名家的“名声”影响了真正去理解一幅作品的能力。2011年看了《花开花落》这部电影后,我的认识被颠覆。影片开始就是灰暗的色调,从黑夜开始,流水声,继而光亮转移,萨贺芬在小溪里捞她的绘画原料的植物根茎。随后就是萨贺芬在打扫时推开窗户,窗外的一片绿色与室内的阴暗在一个画面中同时出现。紧接着又是萨贺芬提着篮子走在郊野,画面充满绿色。影片结束时,老年的萨贺芬提着椅子缓缓地穿过绿草地,走向远处小山坡上的一棵孤立大树,在沙沙的风声中静静地坐在树下。从头到尾,影片里的基色都是绿色,淡淡的,无不透露出一种希望。很喜欢这部电影,也开始喜欢上了萨贺芬和她的画,那种天生自然,原始纯真,风格独特,不受既有的艺术法则束缚的自由。
Sawhofen’s paintings were seen very early, but my eyes were influenced by the “fame” of the famous people to really understand the power of a work. After I watched the film “Blooming Flowers” in 2011, my understanding was subverted. Starting with the dark night, the sound of the sound of water began to shine, and then the light shone, and Sahfuneh fished the plant roots of her painting material in the stream. Then Sahuffen opened the window while cleaning, and a green and dark interior of the window appeared simultaneously in one frame. Followed by Sahvafen carrying a basket walking in the country, the picture is full of green. At the end of the movie, Elderly Sahverif carried his chair across the green grass slowly toward a lone tall tree on a hillside in the distance, sitting silently under a tree in the rustling wind. From start to finish, the basic color of the film is green, light, all reveal a hope. Loves the movie, and begins to love Sahufen and her paintings, the kind of natural, original innocence, unique style, free from the constraints of the existing art of freedom.