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《聆听弘一》以“坏蛋调频”的主播作为叙事者,讲述了抗战爆发后上海广播业的故事和弘一法师的历史。这是个特别不讨巧的戏,两个原因:其一,它在“炫学”和含蓄之间摇摆;其二,它意图为时代做历史,又还想铺出一地的个人史。田沁鑫导演做《聆听弘一》这个戏必定是不讨巧的行为,可是这个不讨巧中未必没有生机。许多人认为现在是一个“戏剧将死未死”的时代,每做一个新的戏都是一个求生存的手势《,聆听弘一》能够展现出一种可能,不讨巧也能把戏剧延续下去。
“Listen to Hongyi” to “bad guys FM” as a narrator, tells the story of the Shanghai Broadcasting after the outbreak of the War of Resistance Against Japan and Hong Yi Master’s history. This is a particularly ingenious show, for two reasons: first, it swings between “hyun learning” and subtlety; second, it intends to make history for the times, and it also wants to spread the personal history of a place. Tian Qin Xin director to do “Listen to Hong one” is bound to be not a coincidence of the act, but this is not necessarily inquiring whether there is no vitality. Many people think that now is an era in which drama is immortal, and every new drama is a gesture of survival. Listening to Hongyi shows a possibility. Go down.