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2005年岁末,在郑州升达艺术馆举办的河南花鸟画展,除了少数几件作品,满满一屋子表面看上去姹紫嫣红,实则暮气沉沉似一潭死水。诸多画家分明已厌倦了接二连三的各种名目的展览,大家被迫像学生在课堂上交作业一样,因袭旧作。包括田博庵的作品,显然也没有些许对自我和以往的超升与跨越。这几年似乎与博庵是疏远了。但我兀自关注他的热情并没有一丝减
The end of 2005, held in Zhengzhou Shengda Art Museum of Henan flowers and birds painting exhibition, with only a few pieces of work, full of a house looks colorful, but in fact a dead end. Many painters have obviously been tired of one after another of various exhibitions, everyone was forced to work like a class in the classroom, follow the old works. Including Tian Boan’s work, apparently there is no little self and the past ascent and leapfrog. In recent years seems to be estranged from Bo Um. But I did not diminish my concern for his enthusiasm