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法国影片《女侦探》用散文风格、白描手法,将泛滥于西方社会,扰得人心惶惑的毒品、淫乱等社会犯罪问题展现到银幕上。为让观众透过恶浊混涸的社会。冷静而客观地审视这一恶疾的症结所在,影片既没有把案件渲染得曲折离奇、耸人听闻,也没有条分缕析地去刻西人物,甚致连案情过程都简略了。初次看《女侦探》,觉得它平淡无奇,特点也不明显。这倒很象其女主人公科丽娜探长,她最先给人的印象,貌不惊人。可过后,她特有的魅力却悄悄进入人们心中。细细回昧这部影片,感到有不少问题在闪烁,在旋转。影片的导演伊夫·布瓦塞,是四十开外的法国人。毕业子法国高等电影学院。在成为专业电影导演之前,曾撰写电影评论,由于观点鲜明,有独到之
French detective “detective” uses the style of essay and white sketch techniques to display social crimes such as narcotics and drug crimes that are spreading in western society and disturbing people’s hearts. To let the audience through the dirty cloud of society. To calmly and objectively examine the crux of this ailment, the film did neither render the case twists and turns, sensationalism, nor did it trace the carving of Western characters. Even the case process was brief. For the first time to see “female detective”, I feel it bland, the characteristics are not obvious. This is very much like her heroine Corina Detective, her first impression, looks unsightly. But later, her unique charm is quietly into people’s hearts. Slightly ignorant of this film, I feel a lot of problems in the flashing, spinning. The film’s director Yves Bouquet, is forty French outside. Graduated from the French Higher Film Institute. Prior to becoming a director of a professional film, he wrote a movie review. Because of his distinctive point of view, he was unique