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本期杂志的封面刊登的是拙作山水画《自有人知处》,含义取自唐代韩愈的《奉和虢州刘给事使君三堂新题二十一咏·渚亭》“自有人知处,那无步往踪。莫教安四壁,面面看芙蓉”的山水意境。画面表现的是春天的景色,前景树木依然略见丰茂,树后掩映的房舍已不见人影,可能是进山采集春的讯息去了。舍前小溪平静安详,托起了后面的一座青绿。远处几抹朱膘的远山,透析出阳光的明媚。中国山水画是隐士文化的表征,同时也是中国文化中“天人合一”思想的展现。《自有人知处》在灵活地运用了传统山水语言的情况下,把这种文化精神和
This issue of the magazine’s cover is published as a humble landscape painting “known to its own people,” meaning taken from the Han Dynasty in the Tang Dynasty “Feng and Danzhou Liu to give things to the throne three new title twenty-one Yongzhu Pavilion” “Own People know where, then no step to go. Mo teach security walls, face to see Furong ”landscape conception. The picture shows the spring scenery, the foreground trees are still slightly lush, the trees shed behind the building has disappeared, may be the spring into the mountains to collect the message. Before the creek quiet serenity, hold up the back of a green. In the distance a few miles away Zhu Xi, Dialysis out of the bright sunshine. Chinese landscape painting is a manifestation of hermit culture, but also an expression of “harmony between man and nature” in Chinese culture. “Self-owned know where” in the flexible use of the traditional landscape languages, this culture and