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张舜徽的书法美学主张可以概括为两点:雄健浑成与潇洒飞动。他在《艺苑丛话》中常用雄健、矫健、苍劲、俊等词语来褒扬具有雄健风格的艺术作品,以“骨”来指称书法的苍劲美。“骨”在张舜徽的批评术语中,主要指书家主体精神的阳刚、道德的醇厚带给作品的雄健力量,具有“清刚而有力感的形相之美”。张舜徽评价黄山寿的画“下笔遒劲,有临风而动之致”实际上彰显了他在雄健浑成之外的另一种美学追求:潇洒飞动。遒劲而不滞涩,飞动而有恢弘气象,这是他所追求的艺术美至高境界。
Zhang Shunhui calligraphy aesthetics can be summed up in two points: vigorous Huncheng and smart fly. He often used the words “vigorous, vigorous, vigorous, and handsome” in the “Anthology of Cong Yuan Cong Hua” to compliment the vigorous style of works of art with “bone” to refer to the vigorous beauty of calligraphy. In the critical terms of Zhang Shunhui, the main body of the book refers to the masculine masculinity and the mellow morality which bring the magnificent force of the work with “the beauty of form and shape in a fresh and powerful sense.” Zhang Shunhui evaluation of Huangshan Shou’s painting “under the pen strong, there are Linzhi move caused” in fact demonstrated his vigorous just another aesthetic pursuit: smart fly. Vigorous but not astringent, flying and have a grand atmosphere, which is his pursuit of the highest artistic realm.