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在国内以小说创作名世的众多女作家当中,盛可以应该是女权主义立场十分鲜明的一位。无论是长篇,还是短制,其中都有着对于女权立场的倡扬与表达。当然,这种女权立场,并非是那种大喊大叫式的特别外露的女权主义,既不失尖锐的锋芒,又特别讲究表达技巧的曲折。这一特点,在她近期的短篇小说《白草地》(载《收获》杂志,2010年第2期)中,同样有着十分明显的体现。
Among the many female writers who have made famous novels in China, Sheng should be a very prominent feminist position. Whether it is long or short, there are advocations and expressions of the position of women’s rights. Of course, this kind of feminist position is not the kind of screaming style of feminism that is exposed in particular, without losing its sharp edge and paying particular attention to the twists and turns of expression skills. This feature is equally evident in her recent short story Whitegrass (Harvest Magazine, Issue 2, 2010).