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从建筑的角度看二胡作品,小品如农舍一 间,小桥流水,自然简朴;中型乐曲则似别墅 一座,花园洋楼,布局各异;大协奏曲就像大 厦一幢,起落有秩,结构复杂。建筑不论大小, 无非是一砖一木建成;同样,一部作品也是由 很多细小的“零件”组合起来的。细致分析作 品的结构,有助于演奏者对乐曲整体布局的 设计。这种设计并非是纯理性的,而在很大程 度上是通过形象思维,将乐曲联想成一个有 型的实体,这就是曲型感。如《喜唱丰收》,结 构上非常规整,是典型的A-B-A复三部 曲式,每个部分也都是方整性结构。用形象思
Erhu works from the architectural point of view, Pieces, such as a farmhouse, bridges, natural simplicity; medium-sized pieces of music is like a villa, garden buildings, different layouts; Concerto like a building, ups and downs, the structure is complex . No matter the size of a building, it is nothing more than a brick-and-wood building. Similarly, a piece of work is also composed of many tiny “parts”. Detailed analysis of the structure of the composition helps to design the overall layout of the musician. This design is not pure rationality, but to a great extent through the image of thinking, the music will be conjured into a tangible entity, this is the sense of music. Such as “Hi choir harvest”, the structure is not regular, is a typical A-B-A complex trilogy, each part is also a square structure. Use the image of thinking