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吴允铁的这一系列水墨作品,初见之下感到陌生怪异和难以理解,但是一旦认真读进了画面,就不得不为之震动。作品虽然是运用了传统的水墨形式,但是内容和内涵已经大大摆脱了传统的束缚。画面中超越时空的限制,泯灭了幻想和日常生活之间的界限,虚幻与现实难解难分地结合成了一个整体,绘画也绝不是为形式而形式。吴允铁的作品是由他心底长出来的,不需要照片,不需要临摹,只需要静静地听从心灵的指挥,游弋于画面上,展现精神的声音。他的超现实主义源于他对内在心灵的思考,对整个社会语境的探索,所以有了《机器纪元》这样的作品。汹涌的火山喷薄而出,浓浓的岩浆
This series of ink works by Wu Yun-t’ao was strangely new and incomprehensible at first sight, but once it was read carefully, it had to be shaken. Although the work is the use of the traditional form of ink, but the content and content has been largely free from the traditional shackles. The limitations of time and space in the picture limit the boundaries between illusion and daily life, illusion and reality inextricably combined into a whole, the painting is by no means a formal form. Wu Yung-iron’s work grew out of his heart, do not need photos, do not copy, just quietly follow the command of the soul, cruising on the screen, showing the voice of the spirit. His surrealism derives from his thinking of the inner mind and exploration of the entire social context, so there is a work such as “The Machine Age.” Raging volcano gushing out, thick magma