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不久前,由上海淮剧团创排的新编淮剧《武训先生》在上海东方艺术中心上演。这部戏讲述的是清朝末年山东巴邑出身贫寒的底层百姓武训,为了兴办义学行乞39载的故事,无论从时空还是从人生体验来看,都与当代的上海观众隔着几重山的距离,但却赢得了阵阵热烈掌声,触动了很多观众的心。这台充满乡土味、民俗风情以及历史凝重感的淮剧,在时尚的、国际化的上海舞台上,非但不显违和、土气,反而大放异彩,自然有其特别之处。《武训先生》的传统回归《武训先生》是著名剧作家罗怀臻继都市新淮剧《金龙与蜉蝣》《西楚霸王》后,时隔近20年为上海淮剧团再
Not long ago, the newly compiled Huai Opera by the Shanghai Huai Troupe, Mr. Wu Xun, was staged at the Shanghai Oriental Art Center. This play tells the story of Wu Yun, a poor native from the late Qing dynasty that was born in Bady, Shandong Province. In order to establish the tradition of begging for pleasure, , But won warm applause bursts, touched a lot of audience’s heart. This is full of local flavor, customs and sense of historical dignified sense of Huai Opera, in the fashion, the international arena in Shanghai, not only did not significantly violated, rustic, but radiant, nature has its own special features. The traditional return of “Mr. Wu Xun” is the famous playwright Luo Huai Zhen, following the success of the city’s new Huaihua drama “Golden Dragon and Xunyi” and “West Chu King”, after nearly 20 years as Shanghai Huai Opera Troupe