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本文以生命本体的张扬、生命文化的深化、生命哲学的提升作为三大理论支柱,对新时期戏曲创作的生命意识这一时代的重要命题,进行了初步探索。
This article explores the important propositions of the life consciousness of the drama creation in the new period as the proposition of life itself, the deepening of life culture and the ascension of life philosophy.